What I have learned today is that budget archive boxes are a false economy. Any saving is squandered on parcel tape to wrap the miserable container to the point where it resembles the misshapen prey of a filing-obsessed spider.
The full box bulged and warped as I wrestled. It repeatedly burst open at the top and disgorged slithering contents. It mocked me with torn handles and strained joints (those of the box rather than my own). I fought back, suppressing an uprising of RHS Chelsea catalogues, a stampede of assorted articles and the subtle exit of book reviews, all destined to be consigned to the cupboard.
And it dawned on me that this is not a problem I have had before. Filing is not exactly second nature, but I have never before had to quell an actual mutiny of both packaging and subject matter.
But then, as the back catalogue becomes more extensive, more bulky and weighty then surely it must become more potent too. Libraries are powerful places. History, knowledge, the fact and folly of human invention and imagination set out in rows and stacked high into the rafters. Whispering and pulsing on the edge of perception, these massed words, and the books and articles that contain them, are lit and curated. The keepers of knowledge and opinion remain ever vigilant. Yet still they are able to catapult us into the past, the future or into other worlds. They have the ability to bring to us our deepest fears, to offer hope and salvation and to play upon our proclivities, sensibilities and weaknesses - as well as building greatness.
|Something nasty in the woodshed? ...So what is under the stairs?|
But how much more raw and fearsome must be a collection that is hidden in darkness. An untidy citadel of jumbled thoughts and ideas. Unwatched. Crammed together. Fact and opinion in a hybrid swarm of publication and publicity. Ideas compressed to neutron-star density. Swallowing light and distorting time. The shades of fashions past and techniques eternal, translucent in the pages; the energy of stories well-told, accumulating.
It is no wonder then that the boxes bulge and groan. Perhaps as the archive becomes more powerful then so should the container that holds it. The Luggage* in the Terry Pratchett books might do it. Perhaps, rather than cheap boxes bound with gaffa tape, it is time for oak chests bound with iron.
(Although this would only exacerbate the issue of weight. The boxes are already almost too much to lift, so unless the archive can exist partially in another dimension, with contemporary mass reduced accordingly, I’m going to need a fork-lift truck. Or an orangutan.)
|'The Orchard Odyssey' - my new book is out on 22nd Sept 2016|
Only last week, there was a sense of hiatus; January looking forwards and backwards, as it will. Snowdrops not yet upon us, tree fruit passed. But both also impending.
So soon have things moved on. The cycle continues.
|Shoots of Galanthus nivalis (Sandersii Group)|
And, should I vanish entirely, perhaps someone could check the dimension occupied by the archive, that is ostensibly in the cupboard under the stairs.
|A new dawn|
* Given the orchard fixation, the fact that it is made of sapient pear wood is particularly appropriate
**That it is also always full of neatly pressed underwear, smelling slightly of lavender, appeals. Note to self: if this element spontaneously generates, maybe feed it an annotated lingerie catalogue or two....^
^ Picky? Moi?