Electric Green

Writing a book is often likened to having a baby. And with some justification. There is the giddy conception and whirlwind of excitement, then the warm glow of a contract signed. It then the process starts to lag and become heavier; sweetmeats are deployed to maintain performance – pregnancy, like literature, is an endurance sport. My new book, Published by Green Books, 22nd September  2016 Finally, fat and fecund with promise the manuscript is delivered to the publisher, for supervision and medical intervention if necessary. And, finally, the screaming and anguish suddenly stops. The Author's desk (the buns have already been eaten) And here is where the process differs. After months of to-ing and fro-ing, deliberations about nuanced argument and tone of voice, followed by concerns about stacking words in a column and balanced captions, it is confiscated. They just take it away. To put it another way, it is like watching caterpillars. They eat and eat and eat and ...

What I have learned today is that budget archive boxes are a false economy. Any saving is squandered on parcel tape to wrap the miserable container to the point where it resembles the misshapen prey of a filing-obsessed spider. The full box bulged and warped as I wrestled. It repeatedly burst open at the top and disgorged slithering contents. It mocked me with torn handles and strained joints (those of the box rather than my own). I fought back, suppressing an uprising of RHS Chelsea catalogues, a stampede of assorted articles and the subtle exit of   book reviews , all destined to be consigned to the cupboard. And it dawned on me that this is not a problem I have had before. Filing is not exactly second nature, but I have never before had to quell an actual mutiny of both packaging and subject matter. But then, as the back catalogue becomes more extensive, more bulky and weighty then surely it must become more potent too. Libraries are powerful places. History, knowledge...